This Day In Mild: Enon at the Knitting Factory 12.07.2002
I barely remember any details about this show.  Not because I was raging, but because I am getting old.
A few things that come to mind: 
• I had a blast at this show.
• This was the Knitting Factory 2.0, on Leonard Street (note the DOWNTOWN IS MORE THAN A ZIPCODE slogan on the bottom of the ticket). 
• I remember showing up on time to this gig, because I am pretty sure Swearing At Motorists was on this bill as well.  I think it might have been just Dave Doughman sans drummer, but the thought of Swearing At Motorists and Enon playing the same bill, just a few blocks away from my office, stands out as being significant.
• At that point in time, I was totally wrapped up in Enon’s “High Society.” Some colleagues of mine had just directed the video for “The City,” so advance MP3s were abound, and I got hooked.  I still think it’s Enon’s masterpiece.  Perfect blend of meaty riffs, electro beats, sweet harmonies, and amazing hooks all processed through John Schmersal’s psych-bent swagger. Solid listen from start to finish.
• The show was equally as satisfying.  The crowd was teleported to another dimension by the synth-heavy scenics of Bloodthirsty Lovers, and then we had a big ole dance party when Enon took the stage, and there was lots of sweating to be had.  
• I am pretty sure I went with my buds Ryan and Blake, and I am pretty sure that Blake left early, which is his calling card. I also recall Ryan picking up a Bloodthirsty Lovers EP at the show, which might have been a self release that is no longer available. I think I spent any money on frosty libations.
• $8.00 well spent.

This Day In Mild: Enon at the Knitting Factory 12.07.2002

I barely remember any details about this show.  Not because I was raging, but because I am getting old.

A few things that come to mind: 

• I had a blast at this show.

• This was the Knitting Factory 2.0, on Leonard Street (note the DOWNTOWN IS MORE THAN A ZIPCODE slogan on the bottom of the ticket). 

• I remember showing up on time to this gig, because I am pretty sure Swearing At Motorists was on this bill as well.  I think it might have been just Dave Doughman sans drummer, but the thought of Swearing At Motorists and Enon playing the same bill, just a few blocks away from my office, stands out as being significant.

• At that point in time, I was totally wrapped up in Enon’s “High Society.” Some colleagues of mine had just directed the video for “The City,” so advance MP3s were abound, and I got hooked.  I still think it’s Enon’s masterpiece.  Perfect blend of meaty riffs, electro beats, sweet harmonies, and amazing hooks all processed through John Schmersal’s psych-bent swagger. Solid listen from start to finish.

• The show was equally as satisfying.  The crowd was teleported to another dimension by the synth-heavy scenics of Bloodthirsty Lovers, and then we had a big ole dance party when Enon took the stage, and there was lots of sweating to be had.  

• I am pretty sure I went with my buds Ryan and Blake, and I am pretty sure that Blake left early, which is his calling card. I also recall Ryan picking up a Bloodthirsty Lovers EP at the show, which might have been a self release that is no longer available. I think I spent any money on frosty libations.

• $8.00 well spent.

I think I just called bullshit on myself. 

I was doing some much overdue collating of Records and CDs, and came across some Tom Waits material. I thought to myself: 

“Do you really like Tom Waits? Or just like the idea of liking Tom Waits?”

Welcome Grodin! Jonathan Cohen finally has a web presence, and is using Futura!

Welcome Grodin! Jonathan Cohen finally has a web presence, and is using Futura!

Jump in the Delorean, drink some robitussin, blast off into outerspace,  and enjoy this bouillabaisse of fist-pumping synth pop, breezy jangle  guitar rock, hydraulic popping hiphop, with a pinch of squealing  keytars.  I started this mix, and Ben French  helped me finished it. A wonderful collabo. This mix is a nice companion piece to Ben’s “Saab After Dark”.
1. Love Like A Sunset Part I (Edit) - Phoenix2. The Visitors - Abba3. 7-10 Split - Gianni Rossi4. Bambi - Prince5. Two Miles An Hour - Ludacris6. 4,738 Regrets - Trans Am7. Serenade - Steve Miller Band8. Over And Over - Hot Chip9. Tha Shiznit - Snoop Dogg10. Magic Man - Heart11. Surgeon  - St. Vincent12. D.C. Trails - Polvo13. Holy Are You - The Electric Prunes14. Come To Me - Brad Fiedel
DL
http://www.sendspace.com/file/z2d06s
STREAM
http://8tracks.com/groeschie/saab-in-space?mix_set_id=1325149

Jump in the Delorean, drink some robitussin, blast off into outerspace, and enjoy this bouillabaisse of fist-pumping synth pop, breezy jangle guitar rock, hydraulic popping hiphop, with a pinch of squealing keytars. I started this mix, and Ben French  helped me finished it. A wonderful collabo. This mix is a nice companion piece to Ben’s “Saab After Dark”.

1. Love Like A Sunset Part I (Edit) - Phoenix
2. The Visitors - Abba
3. 7-10 Split - Gianni Rossi
4. Bambi - Prince
5. Two Miles An Hour - Ludacris
6. 4,738 Regrets - Trans Am
7. Serenade - Steve Miller Band
8. Over And Over - Hot Chip
9. Tha Shiznit - Snoop Dogg
10. Magic Man - Heart
11. Surgeon  - St. Vincent
12. D.C. Trails - Polvo
13. Holy Are You - The Electric Prunes
14. Come To Me - Brad Fiedel

DL

http://www.sendspace.com/file/z2d06s

STREAM

http://8tracks.com/groeschie/saab-in-space?mix_set_id=1325149

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“STOP” - Royal Trux

Gets me every time.

Yoda sniffing the all encompassing locks of David Ackles.

Yoda sniffing the all encompassing locks of David Ackles.

"

Patrick Says:
May 25th, 2011 at 10:15 am

Jojo:

A few reasons -

1. This is an incredibly competitive market. More releases come out now in a given week than used to come out in a month. It takes time to build up the word & anticipation for a record. A proper marketing campaign will get the maximum possible sales & chart position for a new album on release date, which in turn drives the media to pay attention and drives further sales.

2. Long-lead print press still exists, and their deadlines for features in August is NOW. They won’t run features about a new release 3 months after a record comes out – by then, there will be a whole new batch of records competing for their attention. And they need to spend time music to confirm features, and then spend time writing them.

3. Physical retail, including chains, still exists. Our distributor’s deadline for getting into their August 23 book, driven in turn by their big customers like Best Buy and Target, is NOW. And of course it takes time to manufacture records… you see a cover image above, but we don’t have the full packaging in for the CD and vinyl. The final EQ’d master is in today, and then it needs to get made into a glass master for CD and cut for lacquers for vinyl, which in turn will need test pressings, for approval. Once the records and the print are made, they need to be assembled, shipped to distributors, who in turn ship to stores – and for chains this means depots who ship out to branches, or drop-shipping to individual accounts – all to arrive on a certain date before release date.

Even for digital stores, there’s a time-consuming process which includes metadata for royalty tracking, audio polishing and checking, lots of uploads and downloads and tests.

Then there’s booking advertising, planning the marketing campaign, designing banners, and all the rest.

It’s a delicate balancing act setting up a record properly for release. 3 months is about the minimum lead time possible from delivery to street date.

Lots of people fortunately do still spend money on music!

"

FROM MATABLOG COMMENT BOARD

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Sometimes You’ve Got To Stop Chasing Rainbows - Doug Sahm


In my next life, I plan on coming back as this album cover.